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This course is for students with little or no background in Mandarin Chinese. The course covers the first five units of the learning materials, Basic Mandarin Chinese (Speaking & Listening; Reading & Writing). The course will help students develop skills in Mandarin Chinese to conduct basic communication across ethnic, cultural and ideological boundaries and to develop an understanding of Chinese interpersonal behavioral culture. At the end of the course, students will be expected to perform in speaking, listening, reading and writing Chinese at a level of proficiency appropriate for continuing on to the next course in the sequence. Students should also demonstrate a level of cultural understanding suitable for correct performance of assigned tasks in Chinese.

Since 1919, Chinese literature has played a decisive role in interactions between tradition and modernity. This course examines the development of Chinese literature against such interactions. Students will familiarize themselves with the most representative modern and contemporary Chinese literary works and gain a broad understanding of many modernity-related issues, including politics, culture, class, labor division, ethnicity, gender and sexuality.

Continuation of Advanced Chinese I, with emphasis on making the transition from textbook to an advanced level of competence for reading periodicals and journals in China. Discussion, written and oral work. Taught in Chinese.

Through examining twelve contemporary issues in China, this introductory course on Chinese civilization will explore some fundamental themes that help to shape and define the culture. Students are expected to be engaged in readings, lectures, discussions, video screenings, and interviews. Issues that we will discover include the food and environment in China; Taoism’s transformation in modernity; Neo-Confucianism and the education system; media censorship and its background; the legacy and future of Chinese language, and so on. Taught in English. No prior knowledge of China is required.

Does Hollywood cinema dictate its reception across the world? Are there clear-cut boundaries between non-Hollywood cinema’s submission and resistance to Hollywood? Facing worldwide competition, how does Hollywood maintain its dominance of global culture? This seminar examines such questions by focusing on the nuanced negotiations between Hollywood films and diverse Chinese-language cultures, including China, Taiwan, and Hong Kong. Students will gain insight into Chinese-language films, literatures, and cultures as well as their own culture shaped by Hollywood-dominated media.